Times of Malta reported that volunteers from around 15 villages had prepared displays for the event, which usually sees church parvises lit by candles arranged into intricate patterns, religious symbols and works of art. It is devotional work, but also logistical work: something made by hand, in public, and only briefly.
That brevity is part of its appeal and its weakness. A candle display does not fail dramatically; it simply cannot insist on itself when conditions turn. What disappears is not just decoration but an entire evening built around reflection on the lives and virtues of the saints, and around the particular way faith, culture and community are made visible in village space.
Only Ta’ Pinu shrine managed to hold a smaller version of the event. There, volunteers lit candles to form the phrase “Ejja, ejja”, referring, Times of Malta said, to the reported miraculous event of June 22, 1883, when Karmni Grima was passing by the small chapel of Ta’ Pinu and heard a mysterious female voice calling out to her.
That left the evening reduced from a spread of village participation to a single shrine and a single phrase. In a place where religious tradition is often associated with spectacle and scale, Il-Mixegħla tal-Qaddisin depends on something much less sturdy: patient volunteer labour and conditions gentle enough to let it be seen.
Dua Mifsud
Isla Camilleri
Alex de Valletta
Harvey Jr.