Home/ Gastronomy/ 24 June 2026
AI Digest
10 Sources Updated 3d ago Evening Edition 4 min read

Aşure's Argument: A Bowl That Outlived Every Empire

There is a dish that has been cooked continuously for longer than most civilisations have existed, and most people who eat it cannot agree on whether they even like it.

AI-generated digest · 10 verified sources · Updated twice daily Add as preferred source
Overview
There is a dish that has been cooked continuously for longer than most civilisations have existed, and most people who eat it cannot agree on whether they even like it.
Aşure — Noah's Pudding, if you need the translation, though the translation loses everything — is a porridge of wheat berries, chickpeas, dried apricots, pomegranate seeds, walnuts, figs, raisins, rose water, and whatever else the cook decides belongs inside it.
It is simultaneously a grain dish and a fruit dish and a legume dish and a dessert, which means it satisfies the strict definition of none of those things and the spiritual definition of all of them.
The bowl has gone viral in both directions simultaneously, which is the only kind of viral worth anything.
Not about the decoration — that is personal, and a cook's relationship to garnish is between them and their conscience.

There is a dish that has been cooked continuously for longer than most civilisations have existed, and most people who eat it cannot agree on whether they even like it.

Aşure — Noah's Pudding, if you need the translation, though the translation loses everything — is a porridge of wheat berries, chickpeas, dried apricots, pomegranate seeds, walnuts, figs, raisins, rose water, and whatever else the cook decides belongs inside it. It is simultaneously a grain dish and a fruit dish and a legume dish and a dessert, which means it satisfies the strict definition of none of those things and the spiritual definition of all of them. It has been making people argue since before the Ottoman Empire formalised it, before the Byzantine churches sanctified their own versions of it, before the various stories accreted around it like sediment — Noah, the flood, the last provisions from the ark, the moment of running out and running in, of scarcity transformed by necessity into something worth remembering.

The argument has reached a new iteration. A video circulating widely shows an Aşure dressed with such obsessive precision — each pomegranate seed placed, each walnut half positioned, the dried fruit arranged in concentric patterns that would not embarrass a pastry chef in the 8th arrondissement — that people have stopped arguing about whether they like the taste and started arguing about whether you are allowed to make it beautiful. Some find it reverent. Some find it pretentious. The bowl has gone viral in both directions simultaneously, which is the only kind of viral worth anything.

I have strong feelings about this.

Not about the decoration — that is personal, and a cook's relationship to garnish is between them and their conscience. What I have strong feelings about is what the argument reveals: that Aşure is one of the last dishes that still carries the weight of collective memory so visibly that any change to its presentation reads as a position statement. You don't feel this way about tiramisu. You don't feel this way about crème brûlée. But touch Aşure's surface, and half the internet feels that something ancestral has been adjusted without permission.

This is what my mother's food did to me as a child, and what it took me thirty years to understand intellectually. When she made imqaret — those fried date pastries from Sliema that she folded exactly the way her mother folded them — and I suggested once that we could try them baked, the silence was archaeological. It wasn't that baked was wrong. It was that the frying was the memory. The oil was the transmission medium. Change the method and you break the chain.

Aşure is a chain of almost incomprehensible length. The dish exists in Greek Orthodox tradition as Koliva — wheat boiled with honey and nuts for memorial services. It exists in Armenian households under different proportions. It exists in every country that was once Ottoman, which is to say it exists across an enormous arc of the world, each version slightly different, each difference encoding a migration or a conversion or a grandmother's preference. The Sufi tradition around it is particularly beautiful: Aşure Day, the tenth of Muharram, when you cook the dish and distribute it to neighbours — not to those who ask, but to those who simply live near you, which is an older and more demanding form of generosity.

The food scholar in me cannot leave alone the fact that this dish — this specific dish — is essentially a pantry-clearing exercise elevated to liturgy. You cook it when you have used almost everything else. It is the ancestor of every fridge-clearing soup, every end-of-week frittata, every Fallow-philosophy corn-cob-is-not-a-leftover act of kitchen honesty. Jack and Will at Fallow would recognise it immediately: not as an ancient curiosity, but as a direct antecedent of their own ethos. Nothing is without value if you look at it correctly. A wheat berry is not humble. A chickpea is not a compromise. Combined with fruit and spice and intention, they become something that outlasted the empire that perfected them.

The biology follows an interesting logic here too. There is a popular idea — you have probably heard it — that the human body renews itself completely every seven years, that you are literally not the same person physically that you were a decade ago. It is not quite true: some neurons in your cerebral cortex are with you from

Editor's Note
The first time I tasted it was in a kitchen in Istanbul that smelled like my father's coat, and I still don't know what to do with that.
Alexandre Noir
Alexandre Noir
Gastronomy & Culture Editor
Alexandre Noir's mother was Maltese, his father was from Lyon. He grew up between two kitchens and has never fully left either. He has eaten at over 400 Michelin-starred restaurants, lost someone he loved in circumstances he doesn't discuss, and decided afterwards that food was the only honest language left. He writes about kitchens the way survivors write about the sea.
View all articles →
Ilhan Irem Yuce
Edited by Ilhan Irem Yuce · Chief Editor, News Beast